Colophon
Our look is the result of reader comments, our own
experimentation, and feedback from distribution channels. Distinctive
covers complement our distinctive approach to technical topics,
breathing personality and life into potentially dry subjects.
The animal on the cover of Cocoa in a Nutshell is an Irish
setter. Bred as a sporting dog in the 19th century, the Irish setter's
agility and energy made it a prime companion for pheasant and quail
hunters. By the 1890s, the dog's attractive, silky red coat and
elegant build boosted its popularity as a show dog. For the past
century, breeders have created a larger dog with a longer coat, with
deep chestnut red or patches of red and white hair. The dog is also
popular as a family pet. Described as loyal, gentle, energetic, and
happy, the Irish setter gets along well with children. Some hospitals,
nursing homes, and rehabilitation centers also adopt the Irish setter
as a therapy dog.
Colleen Gorman was the production editor, and Colleen Gorman and
Ann Schirmer were the copyeditors for Cocoa in a Nutshell. Mary
Brady, Jane Ellin, Claire Cloutier, and Linley Dolby provided quality
control. Reg Aubry wrote the index.
Emma Colby designed the cover of this book, based on a series
design by Edie Freedman. The cover image is a 19th-century engraving
from the Dover Pictorial Archive. Emma Colby produced the cover layout
with QuarkXPress 4.1 using Adobe's ITC Garamond font.
David Futato and Bret Kerr designed the interior layout. This
book was converted by Andrew Savikas to FrameMaker 5.5.6 with a format
conversion tool created by Erik Ray, Jason McIntosh, Neil Walls, and
Mike Sierra that uses Perl and XML technologies. The text font is
Linotype Birka; the heading font is Adobe Myriad Condensed; and the
code font is LucasFont's TheSans Mono Condensed. The illustrations
that appear in the book were produced by Robert Romano and Jessamyn
Read using Macromedia FreeHand 9 and Adobe Photoshop 6. The tip and
warning icons were drawn by Christopher Bing. This colophon was
written by Ann Schirmer.
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