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Colophon

Our look is the result of reader comments, our own experimentation, and feedback from distribution channels. Distinctive covers complement our distinctive approach to technical topics, breathing personality and life into potentially dry subjects.

The animal on the cover of Cocoa in a Nutshell is an Irish setter. Bred as a sporting dog in the 19th century, the Irish setter's agility and energy made it a prime companion for pheasant and quail hunters. By the 1890s, the dog's attractive, silky red coat and elegant build boosted its popularity as a show dog. For the past century, breeders have created a larger dog with a longer coat, with deep chestnut red or patches of red and white hair. The dog is also popular as a family pet. Described as loyal, gentle, energetic, and happy, the Irish setter gets along well with children. Some hospitals, nursing homes, and rehabilitation centers also adopt the Irish setter as a therapy dog.

Colleen Gorman was the production editor, and Colleen Gorman and Ann Schirmer were the copyeditors for Cocoa in a Nutshell. Mary Brady, Jane Ellin, Claire Cloutier, and Linley Dolby provided quality control. Reg Aubry wrote the index.

Emma Colby designed the cover of this book, based on a series design by Edie Freedman. The cover image is a 19th-century engraving from the Dover Pictorial Archive. Emma Colby produced the cover layout with QuarkXPress 4.1 using Adobe's ITC Garamond font.

David Futato and Bret Kerr designed the interior layout. This book was converted by Andrew Savikas to FrameMaker 5.5.6 with a format conversion tool created by Erik Ray, Jason McIntosh, Neil Walls, and Mike Sierra that uses Perl and XML technologies. The text font is Linotype Birka; the heading font is Adobe Myriad Condensed; and the code font is LucasFont's TheSans Mono Condensed. The illustrations that appear in the book were produced by Robert Romano and Jessamyn Read using Macromedia FreeHand 9 and Adobe Photoshop 6. The tip and warning icons were drawn by Christopher Bing. This colophon was written by Ann Schirmer.

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